Welcome to CALL SHEET, our ongoing roundup of gigs, grants, deadlines, and other professional opportunities in the realms of physical and digital immersive.
Want more listings on the regular? Our subscribers get access to the NoPro Discord and our "callsheet and jobs" channel, where many of our listings - and more - first emerge.
HAVE A LISTING? Send it to callsheet@noproscenium.com.
The monthly sheet UPDATES regularly with the latest listings.
Note: while we are happy to receive the full text of a job listing for reference, we only publish summaries with links to full job listings/casting breakdowns. To be considered your listing must be published somewhere else online. We cannot host PDFs, and will not publish full listings so as not to be responsible for errors.
Calls for festival entries, however, are eligible for being published directly on the site. Use the callsheet email, above. (Educational workshops should follow the process for event listings at Everything Immersive.)
Check out previous editions for more listings, scan some of the sites we use to draw selections from below or join our Discord and follow the callsheet and jobs board categories on the Bulletin Board.
- Themed Entertainment Jobs Board
- Blooloop’s Theme Park, Museum and Aquarium Jobs
- Linkedin - Immersive Media
- ZipRecruiter - Immersive Media
- Interactive & Immersive HQ Jobs Board
AUDITIONS
LOS ANGELES
Multiple Roles - Devised Theatre - "The Liminary"
Last Call Theatre
Compensation: Profit Share Model
Rehearsals: March 2nd - April 23rd
Performances: April 25.- May 16 (9 Performances)
Deadline: Feb. 9, 2026
LINK
We are casting for 6 characters. All ages, genders, races – especially folks from historically marginalized groups (i.e. BIPOC, LGBTQIA2S+, non-native English speakers) – are encouraged to audition.
The Liminary is a devised theatre piece, meaning the actors cast in this production will be involved in the narrative process, helping to shape, write, and develop the story.
We are looking for actors that are very comfortable with improv, preferably with past immersive/interactive theatre experience. Experience with writing or devised theatre preferred. During the show, the actors’ main priorities will be making connections and guiding the audience's personal exploration and engagement in the themes and topics of the piece.
We are prioritizing people with personal connections to and a vested interest in exploring the themes of the show. BIPOC, multilingual, and multicultural actors are especially encouraged to audition.
GIGS
LOS ANGELES
Production Manager
Brassroots District: LA ’74
Contract: January 5 – March 29, 2026
Compensation: $12,500 – $15,000
Posted on: 12/30/25
LINK (Facebook)
Brassroots District: LA ’74 is an original immersive theater and concert experience that drops audiences into the heart of LA’s funk and soul scene in 1974. Set inside a live concert venue, the show blends music, storytelling, and audience interaction to create a once-in-a-lifetime party where fantasy and reality collide.
We’re looking for a Production Manager to keep the funk flowing and the trains running on time. This role is the backbone of the production—supporting rehearsals, performances, and technical operations while keeping everything on schedule and on budget. You’ll be the central hub connecting creative vision with real-world logistics.
JOBS
LOS ANGELES
Experience Designer - Apple Vision Pro
Apple
Term: Full Time
Pay Range: $163,300 and $290,100
Listed On: 12/23/25
As an Experience Designer, you will be the point person for crafting interactive environments in immersive experiences. The ideal candidate brings expertise in the design of virtual environments, as well as creative insight into story structure and pacing for interactive entertainment. You will have one foot in development and the other in production as you work closely with a team of designers, artists, animators, engineers, and more to deliver innovative, genre-defining experiences.
Technical Experience Designer - Apple Vision Pro
Apple
Term: Full Time
Pay Range: $171,600 and $302,200
Posted On: 12/23/25
LINK
As a Technical Experience Designer, you will bridge the disciplines of design and engineering for interactive experiences. The ideal candidate brings expertise in programming or scripting as well as creative insight into what makes for compelling interactive entertainment. You will have one foot in development and the other in production as you work closely with a team of designers, artists, animators, engineers, and more to deliver innovative, genre-defining experiences.
DENVER
Communications Manager
Control Group Productions
Term: Annual Contract, Part-time hourly (30-60 hrs/month)
Rate: $25/hour, plus benefits
Listed On: 12/8/25
LINK
Control Group is seeking a dynamic, values-aligned new team member able to share our story with the public and gather our community around our activities and initiatives. This role will manage all public communications, including event marketing, donor relations/campaigns, box office, and ongoing social/digital presence. They will be responsible for maintaining and growing our audience/participant communities, and interfacing with audiences and donors through ticketing and fundraising campaigns.
SANTA FE, NM/REMOTE
Game Designer (Project Based Role)
Meow Wolf
Term: Full Time (Project)
Compensation: Base pay starts at $80,000 plus benefits
Listed On: 12/31/25
LINK
As a Game Designer, reporting to the Director, Experience Strategy, you will be integral in developing quest experiences within our themed interactive art exhibitions. These experiences will leverage game mechanics like inventory management, economy systems, puzzles, progression, rewards, and branching narratives. You will work closely with Story, UI, UX, and production teams to craft engaging, seamless gameplay that integrates with both physical installations and mobile applications. A strong focus will be placed on designing systems that bridge digital interactions with the physical space, offering guests unique, rewarding challenges as they explore and engage with the exhibition.
LOUISVILLE, KY
Creative Director
Solid Light Inc.
Term: Full Time
Compensation: $90-100K
LINK
We're looking for a creative leader and maker who can bring life to stories and imagine worlds that don't yet exist. The Creative Director position is both author and strategist, with a strong instinct for creative collaboration and boundary-breaking problem solving.
We employ multi-disciplinary approaches to project development and experiential, active destinations. At the intersection of planning, design, media, and fabrication, you'll collaborate with a broadly skilled team across our in-house disciplines to ensure every detail works together to tell a powerful story.
REMOTE
Marketing Manager
PostCurious
Term: Full-time, 30-35 hours/week
Compensation: $60,000-$75,000/year plus benefits
Trial Period: 1-3 Months
LINK
PostCurious is a small but mighty team of two. Our work environment is casual but dedicated, with more autonomy than hierarchy and more self-direction than micromanaging. We’re sincerely passionate about this work and seeking the same from our new hire.
We recognize the below responsibilities might look like a lot for just one person. Honestly, they are! We each wear a lot of hats, and we’ll expect the same from our Marketing Manager. That being said, we’re still a small company, and many of these tasks don’t actually take up much time day-to-day. For context, we currently manage most of these responsibilities alongside the rest of our work, and even so, we rarely work a full 40-hour week. As a team, we value work/life balance and prioritize a sustainable workload over maximizing output. A happy and healthy employee who sticks around is better than one who gets pushed too hard and then burns out.
UNIVERSITY
LINCOLN, NEBRASKA
Assistant Professor - Emerging Media Arts: Storytelling
Johnny Carson Center for Emerging Media Arts; University of Nebraska–Lincoln
Term: Faculty Tenure/Tenure Leading - 9 Month
Compensation: Unlisted
Posted On: 12/10/25
Johnny Carson School of Theatre and Film at the University of Nebraska-Lincoln invites applications for a tenure-track Assistant Professor in Emerging Media Arts: Storytelling to join our unique program.
We are seeking a visionary creative practitioner and educator to join our faculty in a position that bridges screenwriting with emerging technologies and platforms. Whether your scholarship or creative activity examines the pressing issues of our time, produces narratives of lasting significance, generates immersive audience experiences, or contributes to the evolution of narrative form, we invite you to submit your work for consideration. We value storytelling as both intellectual inquiry and artistic practice, recognizing that meaningful stories can change the world.
The successful candidate will have professional experience in screenwriting for film, television/streaming, or episodic narrative, and have familiarity with at least one of the following: writing for theatre, games, XR, immersive or interactive experiences, world-building, transmedia, or Alternate Reality Games (ARGs). You have a compelling vision for the evolving future of storytelling, and you’re eager to guide students in shaping that future.
Assistant Professor of Practice - Emerging Media Arts: Designing Experiences
Johnny Carson Center for Emerging Media Arts; University of Nebraska–Lincoln
Term: Faculty Non-Tenure Leading - 9 Month
Compensation: Unlisted
Posted On: 12/12/25
LINK
We seek a designer, or creative technologist professional whose practice explores human experience across emerging media systems — from spatial experience and interactive design to spatial computing and sensory design. The ideal candidate creates work that merges concept, form, and technology to produce meaningful, participatory, or embodied experiences — whether through games, sound, light, movement, or data-driven interaction. The Designing Experiences faculty encompasses teaching and professional practice that engage sensory design, interactivity, and emergent systems. We are interested in candidates whose work examines how media and technology shape perception, presence, play and participation.
CALL FOR SUBMISSIONS
LOS ANGELES
AWE Art Festival
Augmented World Expo
Benefits: Possible travel stipend
Event Dates: June 15-18, 2026
LINK
Art works selected by the AWE committee will be showcased at the Art Festival located in the AWE Expo between June 15-18, 2026 and creators will have an opportunity to talk about their work on the expo stage.
Art works accepted to the AWE Festival may be eligible for a travel stipend. The AWE Art Festival is now open for submissions of narrative XR art and immersive videos from around the world.
To be eligible for the festival the content must comply with the following requirements:
- Must have been completed between April 1st, 2025 and April 1st, 2026.
- Contents must be original narrative live action or animation XR (with or without interactivity).
- Be available to experience in person at the event.
- Content that requires complex or expensive installations will be accepted if the producers agree to cover costs and set it up onsite.
- All XR immersive formats accepted: VR (autonomous & single-computer powered headset), AR.
ALBANY, NY
NarraScope 2026
Compensation: one complimentary full-access pass per team
Deadline: Jan 31, 2026
Event: June 2026, exact dates TBD
LINK
For Narrascope 2026, we are thrilled to announce a new track dedicated to narratives with the intention to blur the lines between the physical and digital worlds.
We invite you to help us explore and celebrate the future of embodied narrative. If your work tells a story by transformation between physical and digital spaces, we want to hear from you.
We are seeking projects that tell a story through a participatory experience, and are looking for creators who use technology as a way to weave narratives into the fabric of our surroundings.
LONDON
VOIDSPACE LIVE 2026
Compensation: £100-200+
Deadline: 28 February 2026
Event: 6-7 JUNE 2026
LINK
Call for performances, texts, games and multimedia pieces that invite their audience to participate in some way, in addition to watching, reading or listening.
This could look like participatory performance (linear or durational, for an audience of one or many) interactive fiction, experimental games, playable art, immersive audio, or formats we haven’t thought of yet.
BOURNEMOUTH, UK/REMOTE
2026 New Media Writing Prize Annual Unconference
Unconference Theme: Fight the Future
Event Dates: 12-13 May 2026
Fee: ELO Membership required $25 (students), $50+
Deadline: 28 Feb. 2026
LINK
"Fight the Future" frames interactive digital narrative as a site of resistance, rehearsal, and collective world-building in a time when “the future” is increasingly pre-scripted by corporate algorithms, patriarchal norms, political fascism, and extractive responses to climate crisis. By fighting the future, we do not mean rejecting futurity itself, but refusing inevitability: resisting default, dystopian trajectories and instead playfully, critically, and collectively co-creating alternative futures grounded in care, justice, and solidarity. We invite playful, participatory, and experimental work and activites that use interaction, liveness, and co-creation to imagine and rehearse worlds otherwise — from small-scale narrative interventions to speculative systems and performative digital practices.
While AI is an unavoidable condition of contemporary digital culture, this Unconference is not an AI conference; rather, we welcome work that engages AI as material, constraint, collaborator, antagonist, or object of critique alongside broader explorations of interactive storytelling, social change, and collective imagination.
BERLIN
15th International Games and Playful Media Festival A MAZE. Awards
A MAZE.
Prize: 1000€ & 2000€ prizes
Submissions: 50€
Deadline: February 1, 2026
LINK
Since 2012 A MAZE. awards The Most Amazing works. The winner is selected by an interdisciplinary, international and 100% independent jury. We extended and changed awards in the many years since, our categories are now: “Most Amazing Award”, “Human Human Machine Award”, “Long Feature Award”, “Digital Moment Award”, “Explorer Award” and “Audience Award” as well as the "WINGS Award" and the new "XR-History Award".
A MAZE. is looking for works pushing the medium of playful arts - fully finished works, demos, experiments, interactive performances, installations, alternative controllers, immersive theater or prototypes are welcomed!
Each nominee and honorable mentions will receive news buzz and a spot in our onsite exhibition - Travel and building up booths is optional! Besides winning one of the Awards with their attached 1000€ price money (2000€ for the main price, WINGS Award and the XR-History Award), every exhibited work at the festival has the chance to additionally win the Audience Award.
Nominees for the new XR-History Award will also receive travel and accommodation for free and take part in a panel discussion!
TOKYO
The 13th 1minute Projection Mapping Competition
Projection Mapping Association of Japan
Prizes: JPY 100,000 - JPY 2,000,000
Support: Finalists will receive travel support for one person to attend the event (2 nights / 3 days, with an upper limit on expenses
Deadline: March 1st, 2026
Event: May 23-31, 2026
LINK
This competition invites creators to compete through short works ranging from 1:00 to 1:59 minutes. Within this brief duration, participants are challenged to showcase their technical skill, artistic individuality, and the ability to deliver new experiences and emotional impact to both the audience and the jury.
From 2021 to 2024, the competition was held at the Meijijingu Gaien’s Meiji Memorial Picture Gallery. Beginning this year, the venue shifts to the Tokyo Metropolitan Government Building. Recognized by Guinness World Records as the "Largest architectural projection-mapped display (permanent)", the venue has already gained global attention. As one of Tokyo’s symbolic landmarks—with its tall, vertical scale—this massive architecture offers a highly rewarding challenge for creators.
AWARDS
Games For Change Awards
10 Categories
Submission Fee: $75 per project
Deadline: February 2, 2026, @ 11:59 PM ET
Event Date: July 21&22
Location: NYC
LINK
The annual G4C Awards celebrate the year's best games and immersive experiences that transcend traditional entertainment, championing social impact, fostering learning, and pushing the boundaries of interactive media. Following an expert-led evaluation process, 3 titles will emerge as finalists in each of the 10 competitive award categories and will be highlighted at the Games for Change Festival.
PROFESSIONAL DEVELOPMENT
SAN FRANCISCO
EGD Collective 2026 GDC Scholars
Benefit: Pass to Game Developers Conference, access to affordable housing for GDC
Note: Scholarship recipients will be notified on or before January 18th. Applications are rolling, and may close early.
LINK
Priority will be given to students and unemployed individuals who are actively seeking work, with additional consideration for applicants who have never attended GDC and would be unable to attend without this assistance. That said, all are welcome to apply, even if you don’t meet these criteria.
Selected recipients will be expected to:
- Attend the conference for all five days
- Participate in one EGD event at GDC
- Share their GDC experience on their social media platforms
GRANTS
REMOTE
Unity for Humanity
Unity
Amount: Up to $100K
Deadline: Feb. 20
Applications are now open for the 2026 Unity for Humanity Grant! If you’re building an interactive game or XR experience that drives positive social impact, apply for up to $100,000 in funding, plus marketing resources and technical support.
Discover the latest immersive events, festivals, workshops, and more at our new site EVERYTHING IMMERSIVE, home of NoPro’s show listings.
NoPro is a labor of love made possible by our backers. Join them today and get access to our Newsletter and Discord!
In addition to the No Proscenium website and our podcast, and you can find NoPro on Bluesky, Facebook, LinkedIn, YouTube, Instagram, and in the Facebook community also named Everything Immersive.
Discussion